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Brandon Lattu“Banquetting House”foam, polyester resin, inkjet printed pinyl, edition of 4
1 ♥
Song Dong
1 ♥
Callum Morton, “Screen #5 Outer Limits”, 2006wood, acrylic paint and aluminium 93 × 110 × 45.5cm table 75 x 180 x 90 cm
8 ♥
Brian Jungen Arts and Crafts Book Depository/Capp Street Project, 2004 Archi­tec­tural model; 3/4–1/2 inch ply­wood sec­tioned into four quad­rants, lock­ing cas­tors, book­shelves, two framed glass cab­i­nets with elec­tri­cal source and light­ing unit, hand-made fab­ric pil­lows for seat­ing benches, video mon­i­tor, ongo­ing accu­mu­la­tion of library inven­tory of mag­a­zines, jour­nals, books and videos/dvds 192 x 252 x 116 inches (488 x 640 x 295 cm)
1 ♥
ERWIN WURM, Guggenheim (Melting), 2005,
4 ♥
fyeahwomenartists: Jackie FerraraA200 AJUT, 1979Pine  (via MoMA | The Collection | Jackie Ferrara. A200 AJUT. 1979)
22 ♥
Isa Genzken, New Buildings for Berlin, 2002/2003, 2 parts, each ca. 80 x 17 x 23 cm, Glass, mirror, foil.Museum Frieder Burda, Baden-Baden, © Isa Genzken, 2010.
4 ♥
Justin Brett Passage 2009, wood, plaster,
1 ♥
Greg Streak Fake Empire (Blue Monday), 2011 Fake Empire (Blue Monday) was a temporary public artwork specially commisioned from Greg Streak by VANSA as part of the DAC’s contribution to the COP17 creative programme.
0 ♥
Langlands and Bell, 1990. Logo Works: Unilever, Hamburg Wood. Paint, Lacquer Glass. 90 x 90 x 15cm.
0 ♥
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